Taking Woodstock is a comedy film written by James Schamus and directed by Ang Lee. Starring: Demetri Martin, Imelda Staunton, Henry Goodman, Liev Schreiber, Jonathan Groff, Emile Hirsch, Paul Dano. Based on the memoirs of Elliot Tiber, the comedy stars Demetri Martin as Elliot, who inadvertently played a role in making 1969’s Woodstock Music and Arts Festival into the famed happening it was. Featuring a standout ensemble cast, and songs from a score of ‘60s musical icons including The Grateful Dead, The Doors, Jefferson Airplane, and Country Joe and the Fish – plus a new recording of “Freedom” from Richie Havens – Taking Woodstock is a joyous voyage to a moment in time when everything seemed possible.

Trailer:


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Working as an interior designer in Greenwich Village, Elliot feels empowered by the gay rights movement. But he is also still staked to the family business – a dumpy Catskills motel called the El Monaco that is being run into the ground by his overbearing parents, Jake and Sonia Teichberg (Henry Goodman and Imelda Staunton). In the summer of 1969, Elliot has to move back upstate to the El Monaco in order to help save the motel from being taken over by the bank.

Upon hearing that a planned music and arts festival has lost its permit from the neighboring town of Wallkill, NY, Elliot calls producer Michael Lang (Jonathan Groff) at Woodstock Ventures to offer his family’s motel to the promoters and generate some much-needed business. Elliot also introduces Lang to his neighbor Max Yasgur (Eugene Levy), who operates a 600-acre dairy farm down the road. Soon the Woodstock staff is moving into the El Monaco – and half a million people are on their way to Yasgur’s farm for “3 days of Peace & Music in White Lake.”

With a little help from his friends, including theater troupe leader Devon (Dan Fogler), recently returned Vietnam veteran Billy (Emile Hirsch), and cross-dressing ex-Marine Vilma (Liev Schreiber) – and with a little opposition from townspeople, including Billy’s brother Dan (Jeffrey Dean Morgan) – Elliot finds himself swept up in a generation-defining experience that would change his life – and popular culture – forever.

The film will release by Focus Features on August 26, 2009.
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  1. Interesting blog. Arguably, the biggest legacy of Woodstock is its huge impact on the real children of the sixties: Generation Jones (born 1954-1965, between the Boomers and Generation X). That peace ‘n love cultural mood magnified the naturally open-hearted feelings of children in the sixties; the residual idealism which was formed into those kids bears particular salience now as this generation has taken over U.S. leadership. This USA TODAY op-ed speaks to the relevance today of the sixties counterculture impact on our new GenJones leadership: http://www.usatoday.com/printedition/news/20090127/column27_st.art.htm

    Google Generation Jones, and you’ll see it’s gotten a ton of media attention, and many top commentators from many top publications and networks (Washington Post, Time magazine, NBC, Newsweek, ABC, etc.) now specifically use this term. In fact, the Associated Press' annual Trend Report forecast the Rise of Generation Jones as the #1 trend of 2009. Here's a page with a good overview of recent media interest in GenJones: http://generationjones.com/2009latest.html

     
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